Happy Sunday and welcome to the fourteenth edition of Giselle daydreams! Today, I’m writing about an Impressionist masterpiece, a French film from the 1990s that I bet you have not seen or heard from and another book from Robert Greene. Finally, I’m sharing one of my favourite pasta recipe. If you are looking for a succulent yet comforting dish, this is the one! Enjoy!
Art
La Loge by Pierre-Auguste Renoir (1874)
I decided to feature an iconic Impressionist work in this edition as Impressionism is close to my heart and epitomises the genesis of what made me want to study art history in the first place.
Pierre-Auguste Renoir unveiled La Loge (The Theatre Box) at the inaugural Impressionist group exhibition in Paris in 1874, strategically aiming to make a significant impact. The painting presented a modern subject, depicting a contemporary, stylish couple occupying a theatre box at one of Paris' premier venues, an unprecedented theme in the realm of painting at the time.
La Loge is a prominent work which reflects Renoir’s mastery of Impressionist techniques and his keen observation of contemporary Parisian society. It is considered one of Renoir's masterpieces and is representative of the Impressionist movement. La Loge is currently housed in the Courtauld Gallery in London, and its significance as a representation of both Impressionist art and the cultural milieu of 19th-century Paris still retains a crucial place in the iconography of art history.
La Loge captures the spirit of Paris Belle Époque, a period known for its cultural vibrancy and social transformations. The painting is a snapshot of the evolving role of leisure and entertainment in urban life during this era.
The painting depicts a couple seated in a theatre box. The focus of the painting is the seated woman, holding a pair of opera glasses. The choice of subject matter suggests a scene from modern Parisian life, capturing the leisure activities and social rituals of the upper class.
Renoir's use of loose brushstrokes and an emphasis on capturing the effects of light and colour characterises the painting as distinctly Impressionist. The brushstrokes are loose and visible, capturing the effects of light and atmosphere rather than focusing on fine details. The technique creates a sense of movement and immediacy.
The composition draws the viewer's attention to the woman in the box. The play of light on her dress and the careful rendering of her features demonstrate Renoir's skill in capturing the human form. The framing of the scene suggests that the act of observing and being observed is central to the narrative. The theatrical setting further emphasises this idea.
The woman in the box is depicted in an elegant and fashionable manner, reflecting the sartorial tastes of the upper class in 19th-century Paris. The attention to detail in her attire adds to the social commentary embedded in the painting.
While the couple is seated together, there is a sense of emotional distance between them. The woman's focused gaze through the opera glasses and her seemingly detached demeanour suggest a degree of emotional isolation or preoccupation.
Renoir's adept use of light and colour is evident in the play of light on the woman's dress, capturing the texture and shimmer of the fabric. The warm tones and vibrant palette contribute to the overall lively and atmospheric quality of the painting.
Renoir's innovative approach featured a tightly cropped composition, reminiscent of a snapshot capturing a moment of modern life, thus challenging conventional artistic norms.
Moreover, Renoir meticulously staged the figures within stereotypical gender roles - the woman, captivating attention by lowering her opera glasses, and the man, diverting his gaze toward someone else in the audience - creating a captivating interplay of gazes intended to spark discussion and reflection.
La Loge is often interpreted as a commentary on the social dynamics of the time. The couple in the box represents the fashionable and affluent Parisian society of the late 19th century, and the painting captures the leisure and social activities of the upper class. The theatre box also appears as a space where the bourgeoisie could see and be seen, emphasising the performative nature of social interactions.
Like many Impressionist works, La Loge reflects the movement's interest in capturing scenes from contemporary urban life. The theatre box setting highlights the entertainment and social aspects of modern Parisian society.
Critics responded fervently to the painting, with some lauding Renoir's fresh subject matter and masterful use of colour and observation. However, others expressed discomfort with the appearance of Renoir's couple, particularly the woman, fearing she represented an overly adorned and fashion-driven socialite rather than a respectable member of society. While La Loge marked a departure for painting in 1874, the theme of theatre boxes was familiar in French fashion magazines, often serving as a backdrop for illustrations showcasing the latest evening wear. Additionally, these boxes were frequently depicted in satirical journals, mocking the social pretensions or romantic entanglements of their occupants. Renoir's composition thus incorporated elements of both contemporary fashion and satire, yet his primary focus lay in showcasing his remarkable painting technique.
The scene was meticulously arranged in Renoir's studio, with model Nini Lopez posing as the woman and Renoir's brother, Edmond, assuming the role of the man, allowing Renoir to orchestrate a captivating interplay of light and shadow. The bold stripes adorning the woman's fashionable dress contrasted strikingly with the man's equally stylish evening attire. Renoir's brushwork exhibited finesse and fluidity throughout, cementing his reputation as one of the foremost Impressionist painters of his era.
While La Loge is now celebrated as a masterpiece, it initially faced some criticism. Some viewers found the loose brushstrokes and departure from traditional techniques unconventional. However, over time, the painting has come to be appreciated for its innovative approach and is now regarded as one of the artist’s most recognised and celebrated works, showcasing his ability to capture both the visual and social nuances of his time
La Loge stands as a testament to Renoir's skill in capturing the nuances of modern life through the lens of Impressionism. It continues to be celebrated for its aesthetic appeal and its contribution to the understanding of the cultural landscape of 19th-century Paris. Its enduring popularity lies in its ability to convey not only the visual delights of the era but also the social intricacies and tensions.
Cinema
Indochine (1992)
I remember watching this film numerous times as a child, although some scenes are not appropriate to say the least. Indochine has a special place as my mum used to make us watch it randomly on a rainy Wednesday afternoon if I didn't have activities, or on a Sunday. I believe that many of you will not know this film, but the leading actress is Catherine Deneuve, whose performance was highly praised.
Indochine is a French film directed by Régis Wargnier, released in 1992. The film is an epic drama which weaves together a complex narrative against the tumultuous backdrop of French colonial Vietnam. Indochine is not only a historical drama, but also a poignant exploration of personal and national identity in the face of political upheaval.
Indochine follows the story of Éliane Devries, played by Catherine Deneuve, who owns a rubber plantation in French colonial Vietnam during the 1930s and 1950s. Deneuve's portrayal of Éliane Devries is central to the film. Éliane represents the French colonial elite, and her character undergoes a significant transformation as she grapples with love, loss, and changing political landscapes. The film employs symbolism and metaphor to convey its themes. The metaphor of Éliane's plantation serves as a microcosm of the broader colonial system, and the changing fortunes of the plantation parallel the shifts in colonial power.
The film unfolds a turbulent period in Vietnam's history, with the backdrop of French colonialism and the early stages of the struggle for independence; covering the period from the 1930s to the 1950s. It explores the impact of French colonialism on Vietnam and its people. The film captures the tensions between the colonisers and the rising nationalist sentiment among the Vietnamese population.
The narrative reflects the political and social tensions of the time. While the film has a strong historical and political focus, it also weaves in romantic elements. The complex love triangle involving Éliane, her adopted daughter Camille (played by Linh Dan Pham), and a French naval officer named Jean-Baptiste (played by Vincent Pérez) provides a personal dimension and emotional layer to the broader historical narrative.
The film explores various themes, including love, betrayal, political upheaval, and the clash of cultures. It delves into the complexities of relationships against the larger canvas of colonial history. The personal stories of the characters are interwoven with the larger political and historical narrative. The film explores how personal relationships are affected and shaped by the broader political context.
François Catonné's cinematography is notable for capturing the beauty of the Vietnamese landscapes and the colonial architecture. The visuals contribute to the film's epic scale and immerse viewers in the time and place.
Indochine is considered one of the notable films in French cinema and has left a lasting impact in its ability to balance historical events with intimate personal stories. Its exploration of colonial history, strong performances, and visual appeal contribute to its enduring legacy.
Indochine was lauded for its epic storytelling as well as its stunning cinematography, capturing the lush landscapes of Vietnam and the grandeur of the French colonial architecture. It is a rich and layered film that delves into historical, political, and personal dimensions. Its exploration of colonialism, nationalism, and the complexities of human relationships has contributed to its enduring legacy in the realm of international cinema and to discussions about colonial history and its representation in film.
Literature
The Art of Seduction by Robert Greene (2001)
I promise this is the last book by Robert Greene I am discussing for a while. Nonetheless, if you have been reading Giselle daydreams, I have already told you that when I enjoy an author, I tend to read other books by them.
The Art of Seduction is a book written by Robert Greene, published in 2001. Similar to his other works, such as The 48 Laws of Power and Mastery, which I have already discussed in volume 7 and volume 12, this book explores aspects of human behaviour, focusing on the dynamics of seduction and power in interpersonal relationships.
The Art of Seduction is a controversial and provocative exploration of the dynamics of seduction and power in interpersonal relationships. Greene introduces various archetypes or character types that individuals can embody in the art of seduction. These archetypes include the Siren, the Rake, the Ideal Lover, the Coquette, the Charmer, the Star, the Conqueror, and others. Each archetype represents a different style of seduction.
Greene outlines a multi-phase process of seduction involving attention, attraction, interest, and surrender. The book explores strategies and tactics for each phase, emphasising the psychological and emotional aspects of seduction.
The book delves into the psychological aspects of seduction, including manipulation, the use of emotions, and the understanding of desire. It explores how individuals can influence and shape the perceptions and desires of others.
Greene discusses the power of emotions in seduction, emphasising the importance of creating emotional experiences and manipulating desire. Understanding and playing with others' emotions are considered a key elements of successful seduction.
The Art of Seduction encourages adaptability in seductive tactics, suggesting that individuals should be able to switch between different archetypes and approaches depending on the situation and the person they are trying to seduce.
The concept of mystery is highlighted as a crucial element in seduction. Maintaining an air of mystery and unpredictability can enhance one's allure and keep others intrigued.
Greene supports his theories with examples from history, literature, and mythology. He draws upon the experiences of historical figures, fictional characters, and real-life seducers to illustrate the various archetypes and tactics.
While the title suggests a focus on romantic relationships, the principles outlined in the book can be applied to various aspects of life, including professional relationships, social dynamics, and personal development.
The Art of Seduction has also faced criticism for its Machiavellian approach to human relationships. Some argue that the book's emphasis on manipulation and power dynamics may be ethically questionable.
The Art of Seduction takes a strategic approach to human relationships, treating seduction as a skill that can be learned and mastered. Greene suggests that individuals can strategically adapt their behaviours and personas to achieve desired outcomes in social and romantic situations. The book serves as a mirror, prompting individuals to reflect on their own behaviours and the dynamics of their relationships. It encourages self-awareness and an understanding of how one may be influenced or manipulated. The book explores the power dynamics inherent in seduction. It suggests that those who understand the principles outlined in the book can gain a certain degree of control and influence in their relationships. The Art of Seduction is known for its provocative approach to the dynamics of human relationships, and offers a strategic perspective on seduction and power, blending historical examples with psychological insights.
A recipe
My comforting mushrooms and lemon pasta
This dish is perfect when you crave a hearty meal, reciprocating what you could order at the restaurant but that you can make at home. The beauty of this recipe is that you only need a few ingredients, and despite the use of parmesan, this recipe uses no cream, which makes it easier to digest.
I apologise for the picture which doesn’t do justice to this dish, but trust me, my husband and I eat this dish on average on a weekly basis.
Ingredients for two people:
Pasta of your choice, feel free to decide on how much pasta you want depending on your appetite
300g mushrooms, white buttons or chestnut
1/2 lemon, juiced and zested
parmesan, as much as you like
sprinkle of chilli flakes
3 garlic gloves
parsley
pink Himalayan salt
black pepper
EVOO (extra virgin olive oil)
Instructions:
Heat some olive oil on medium heat in a frying pan. In the meantime, slice your mushrooms. When the olive oil starts drizzling, place the sliced mushrooms and cook them while stirring them regularly.
Boil some hot water in a kettle (to save time) and pour the water with your pasta of choice and some salt in a saucepan.
Cook your pasta as per the pack instructions. However, cook pasta al dente or 1-2min less than the indicated time.
When the mushrooms are golden, reduce to low heat, add the garlic and stir for 1 min.
Now is the time to add your lemon zest and the juice.
Grate some parmesan and mix everything together using one or two scoops of the pasta water.
The pasta should be cooked, and you should pour the pasta in the sauce using a slotted spoon.
Mix everything together and add salt and pepper to your liking.
Serve on a serving plate, grate more parmesan, and finish by adding some chilli flakes and fresh parsley to garnish. It’s ready to eat, enjoy!
Let me know if you make this delicious pasta dish and like it as much as I do!
I hope you enjoyed the fourteenth edition of Giselle daydreams.
If you aren’t already, you can follow me on Instagram.
Giselle xx
Toujours tres intéressant , nous apprenons beaucoup dans des univers completement differents